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Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar LINK


Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar: The Ultimate Bundle for Professional Mixing




If you are looking for a collection of four compressors that are considered true classics by audio engineers around the world, you should check out Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar. This bundle is a collaboration between Waves and Chris Lord-Alge, one of the most renowned mixing engineers in the music industry. He has worked with artists such as Green Day, U2, Dave Matthews Band, Tim McGraw, Brian Setzer, Peter Frampton, Tina Turner, Rod Stewart, Steve Winwood, James Brown, Grandmaster Flash & the Furious Five and many others.




Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar


Download: https://www.google.com/url?q=https%3A%2F%2Furlcod.com%2F2tUqFK&sa=D&sntz=1&usg=AOvVaw1pQJnrerY-98Nu1i0MvUwl



Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar includes models of four legendary compressors that have shaped the sound of countless hit records: CLA-2A, CLA-3A, CLA-76 Blacky and CLA-76 Bluey. Each compressor has its own unique character and features that make it suitable for different types of instruments and vocals. Let's take a closer look at each one of them.


CLA-2A: The Smooth Electro-Optical Tube Compressor




The CLA-2A is modeled on the legendary LA-2A compressor, which was introduced in the early 1960s and is still widely used today. The LA-2A is known for its smooth, frequency-dependent compression that reacts to the incoming signal level. It has a simple interface with only two knobs: gain and peak reduction. The CLA-2A emulates the original's warm and musical sound, as well as its subtle harmonic distortion that adds richness and depth to the signal. The CLA-2A is great for guitars and bass, but it really shines on vocals, giving them a smooth and polished sound. The CLA-2A also comes with Chris Lord-Alge's personal presets that he uses on his own mixes.


CLA-3A: The Transparent Solid-State Compressor




The CLA-3A is based on the early 1970s LA-3A compressor, which was a solid-state version of the LA-2A. The LA-3A had a faster response time and a more transparent compression curve than its tube predecessor. It also had a sidechain frequency filter that allowed more control over the compression behavior. The CLA-3A replicates the original's quick response and transparent sound, as well as its subtle harmonic distortion that adds some edge and bite to the signal. The CLA-3A is excellent for bass and guitars, as well as vocals that need some punch and clarity. The CLA-3A also comes with Chris Lord-Alge's personal presets that he uses on his own mixes.


CLA-76 Blacky & Bluey: The Superfast FET Compressors




The CLA-76 Blacky and Bluey are inspired by two highly-desirable revisions of the famous 1176 compressor, which was introduced in the mid-1960s and is still one of the most popular compressors in the world. The 1176 is known for its superfast attack time (as quick as 50 microseconds) that can catch any transient and add punch and energy to the signal. It also has a variable ratio control that can go from gentle compression to extreme limiting. The CLA-76 Blacky and Bluey emulate the sound and features of two different revisions of the 1176: the black-face revision D (also known as LN or low noise) and the blue-stripe revision B (also known as blue-face or bluey). Both versions have their own sonic characteristics and quirks that make them suitable for different applications. The CLA-76 Blacky has a smoother and warmer sound than the Bluey, while the CLA-76 Bluey has a more aggressive and brighter sound than the Blacky. Both compressors are amazing for drums, percussion, guitars, bass and vocals that need some attitude and excitement. The CLA-76 Blacky and Bluey also come with Chris Lord-Alge's personal presets that he uses on his own mixes.


Conclusion




Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar is a bundle that every professional mixer should have in their arsenal. It offers four models of compressors that have been used on countless hit records by some of the best engineers in the world. Each compressor has its own sound and features that make it suitable for different types of instruments and vocals. Whether you need smoothness, transparency, punch or excitement, you can find it in Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar.


If you want to get this bundle for your Mac OS X system, you can download it from this link: https://audioz.download/software/mac/58958-download_waves-cla-classic-compressors-mac-intel.html. You will get a RAR file that contains AU VST VST3 RTAS TDM formats that you can use with your favorite DAW. You will also get an online activation code that you can use to register your product with Waves.


Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar is a bundle that will take your mixes to the next level. Don't miss this opportunity to get these amazing compressors for your Mac OS X system.


How to Use Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar on Your Mixes




Now that you have installed Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar on your Mac OS X system, you might be wondering how to use them on your mixes. Here are some tips and tricks that will help you get the most out of these amazing compressors:


  • Choose the right compressor for the right source. Each compressor has its own sound and features that make it suitable for different types of instruments and vocals. For example, you might want to use the CLA-2A for smooth and warm vocals, the CLA-3A for punchy and clear bass and guitars, the CLA-76 Blacky for aggressive and exciting drums and percussion, and the CLA-76 Bluey for bright and energetic guitars and vocals.



  • Experiment with different settings and ratios. Each compressor has different controls and options that allow you to adjust the compression behavior and sound. For example, you might want to use a low ratio and a high threshold for gentle compression, or a high ratio and a low threshold for extreme limiting. You might also want to use the sidechain frequency filter on the CLA-3A to control which frequencies trigger the compression, or the analog switch on each compressor to add some noise and character to the signal.



  • Use parallel compression for more control and flexibility. Parallel compression is a technique that involves mixing a compressed signal with an uncompressed signal, creating a blend of both sounds. This way, you can preserve the dynamics and transients of the original signal, while adding some punch and energy from the compressed signal. You can use parallel compression with any of the compressors in Waves CLA Classic Compressors AU VST VST3 RTAS TDM MAC OSX INTEL.rar by using a send/return configuration i